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Light and Breezy Summer Dressing

Chandigarh-based designer Jasmine Bains rolls out her spring-summer collection that makes a strong case for stylish minimalism

Summer is a scorcher in the city and the mere thought of dressing up in formal wear can make you break into a sweat. More often than not, formal wear here is associated with clothing that doesn’t shy away from embellishments or colour. But as Jasmine Bains points out in her new collection, it doesn’t have to be so.

The Chandigarh-based designer who made her official debut last year has made minimalism her mainstay. Focusing on fluidity of fabric and subtle embellishments, the designer’s collection last year brought in wispy gowns in chiffon with delicate hand embroidery on the yoke, tulle gilets, silk jumpsuits, toga style sari worn over pants.

Designer Jasmine Bains

This summer, she takes her signature style forward with a capsule collection that builds on the same theme – less is more. Using her favourite fabric – silk georgette and silk organza, the designer has styled long dresses and suit sets with subtle embroideries, used more as accents.

While last season, she chose really light pastels, almost bordering on nude shades, this summer the designer has brought in a pop of colour. “I have worked with hues like butter yellow, lapis blue, hazelnut, sea green, ocean green, sandstone grey and primrose yellow,” informs Bains as we notice the free-flowing silhouettes.

Looking to reinterpret modern Indian couture in her own language, Bains has played around with contemporary silhouettes more than embellishments. It could well be defined as understated elegance. “I think the Chandigarh market is very accepting of this look. Not everyone is keen on over the top styling,” points out Bains who started off working as a banker in London before a stint with design house Chanel. She launched her own label when she returned to Chandigarh a couple of years ago. No surprise her first collection that was a sell out.

“Most of the dresses have a hint of embroideries as the collection celebrates colour,” informs Bains. Here too she chooses to make her own motifs rather than traditional designs. The primrose yellow cape in silk georgette with just a splash of sequinned flowers (or are they starfish?) on the front is a perfect example.

The collection is available online (www.jasminebains.in) and is priced between Rs 12,000 to Rs 23,000.

Neelam Man Singh Chowdhry Brings Manto to Stage

The works of Saadat Hasan Manto find relevance even today feels the acclaimed thespian from Chandigarh as she readies to present 'Dark Borders' with actors from Tagore Repertory Company over the next five days

For many years, celebrated theatre director from Chandigarh, Neelam Man Singh Chowdhry has, as she admits so herself, worked with scripts and stories that were complete – where there was the usual format of a beginning, middle and end. “It’s only in the last five-six years that I have been working on productions that didn’t have a set text or format. I have been approaching text as an open narrative, capable of being improvised, re-worked and re-imagined,” mentioned Chowdhry at the formal announcement of her new production that will be staged at the Rock Garden over the next five days. The venue comes as little surprise as the noted thespian has always found the amphitheatre here as most conducive to her style of work.

Photo By: Vikram Joy

The latest production is titled ‘Dark Borders’, presented by Department of Cultural Affairs, Chandigarh Administration and The Tagore Theatre Society. And as Chowdhry tells us, it is a “devised play” with stories of Saadat Hasan Manto. “For some years now I have been deeply engrossed in his works and find that it is to so relevant even today. I feel Manto was not just the greatest writer of the last century, but even this century. He looks at the realities, the hard truths of life and puts them out in the open. But even in his dark situations, humanity prevails. In this production, we have tried to explore the devastation brought upon women and families during the time of migration, loss and devastation,” informs Chowdhry.

With actors on board from the Tagore Repertory Company, work on the production started a few months ago. With no ready to script to work with, improvisation was key. “A few stories and improvisations was the starting point. It is not an easy approach as there is uncertainty. But within that uncertainty, you hope that possibilities can exist that can take you into unexpected terrains and that was a risk I was willing to take,” said Chowdhry.

Photo By: Vikram Joy

The play, as the director points out, brings in various stories of Manto, sometimes without any ostensible connection and at times the plot might seem fragmented. “This has been done deliberately to create ‘relief moments’ in the bleak landscape of people brutalized and marginalized by circumstances and extreme poverty,” Chowdhry explains.

The production will see 11 actors on stage and seven in the music box. With a duration of one hour and 15 minutes, the play will be staged for five evenings, starting May 5 (Friday). Children below the age of 14 years are not allowed.

What: ‘Dark Borders’ play
When: May 5 to 9
Where: Phase 1 amphitheatre, Rock Garden
Time: 7.30 pm
Entry: Free; seats available on first come, first serve basis

PGI Set to Become Bigger

The much awaited decongestion of the prestigious Post Graduate Institute of Medical Education and Research (PGIMER, or PGI in short) Chandigarh, which attracts between 8,000 and 11,00 patients accompanied by an equal number of attendants daily because of its high repute, may now just be a few years away.

Two years after being allotted 50 acres of land at Sarangpur village, 2 kms from the current campus, by the Chandigarh UT Administration for an extension project, the PGI authorities, in consultation with the senior faculty of the institute, has finally come up with a conceptual plan for the extension facility.

Photo By: Life in Chandigarh

PGI Director Prof Jagat Ram told a news conference on Thursday that after a detailed process of feedback from the faculty and heads of various departments, and deliberations held at the highest level on Wednesday, it has been decided to shift the Out-patient Departments (OPDs) to the new campus. It will also house the Trauma Centre, a Learning Resources Centre, where doctors from the entire region will be trained and provided advanced skill sets, and an independent Oncology (cancer care) speciality, which had so far been eluding the institute.

He said, the new campus, to be connected to the existing facility with the help of either a subway or skyway for uninterrupted movement, will prove to be a boon for the institute as it will act as a “filter”, so that only people referred from the new campus need come to the main campus. “Of course we need more such filters to decongest the PGI by way of strengthening the regional medical colleges and district hospitals in the states falling in the catchment area of the prestigious institute – Punjab, Haryana, Himachal Pradesh, Jammu and Kashmir, and parts of Uttarakhand, Uttar Pradesh, Rajasthan, etc,” he added.

Besides the OPD, the new campus is also proposed to have 200-bedded day care centre where patients needing admission can be housed for the day, and for return visits later. Construction of faculty offices will also be considered in the new campus, Prof Jagat Ram said.

PGI Deputy Director (Administration) Amitabh Avasthi, who was accompanying the Director, however clarified that the facility would not come up overnight. From conceptualisation stage to the drawing board, to various approvals, and sanction of funds by the Central Government there is always a gestation period of a few years and it could be expected in this case as well, he said, adding that the cost of creating infrastructure for OPDs alone could involve expenditure in the region of Rs 1,000 crore. Prof Jagat Ram was quick to assure that no time will be wasted to get on with the project.

The PGI Director said that the buildings vacated by the shifting of OPDs and the Trauma Centre would be suitably utilised to expand the Emergency and other services in the main campus. An Organ Transplant Centre, a Geriatric (elderly health care speciality) Centre, 6 more super speciality centres and more accommodation for faculty and staff were also part of PGI’s vision document for the future, he added.

Conversations On Writing Family Stories

The Chandigarh Storytelling Meetup is organizing an author interaction called 'Conversations On Writing Family Stories' with Lalita Iyer and Nirupama Dutt

If you've always wanted to document your family's many tales or write a memoir of that special relative, this one is for you. The Chandigarh Storytelling Meetup is organizing an author interaction called 'Conversations On Writing Family Stories' with Lalita Iyer and Nirupama Dutt.

Lalita Iyer is a Mumbai-based journalist, blogger and author of 'The Boy Who Swallowed A Nail And Other Stories', a hilarious collection of tales of her family's many adventures. Nirupama Dutt is a poet, journalist and translator, and a well-known face in Chandigarh. Lalita and Nirupama have both contributed to 'The Book Of Light', a collection of stories about living with someone with a mental illness or infirmity, edited by Jerry Pinto.

Anchored by Deeptha Vivekanand, storyteller and convener of the Chandigarh Storytelling Meetup, the chat will focus on the role of family stories in shaping identity and creating bonds, the need to record such stories, and the lessons one can learn from sharing them. A Question and Answer session with the audience will follow.

What: 'Conversations On Writing Family Stories' hosted by The Chandigarh Storytelling Meetup

When: May 7 (Sunday)

Where: The Rumour Mill cafe & kitchen, SCO 187, Inner Market, Sector 7, Chandigarh

Time: 11.30 am to 1 pm

Entry: A cover charge of Rs 150, redeemable on food and drinks

Documenting the City in Visuals

City-based photographer Ajay Bhatia pays homage to his hometown in his fourth photo exhibition on at Alliance Francaise

Being the daughter of an Army officer, I grew up in various cities of India, often shifting from one ‘station’ to another, every two to three years. Before I ‘settled’ in Chandigarh, more than a decade ago, the idea of living in the same city and the same house for more than three years sounded discomforting.

Photo By: Vikram Joy

So when Ajay Bhatia, a seasoned photographer in Chandigarh tells me he’s been living here for four decades and still finds the city refreshingly new, especially when he trains his camera on the familiar sights and places of Chandigarh, I am more than intrigued to view his work.

Bhatia’s latest exhibition of photographs (his fourth) titled ‘Remembrance of Time Past’ is currently on view at Alliance Francaise. In line with the theme of his previous works, this show celebrates Chandigarh, its architecture, nature and people.

“I feel documenting with a camera can play a role in the conservation of our architectural heritage. There is a vast body of textual work on the heritage of our country. I am not certain whether a similar body of work exists in a photographic form. Imagine viewing our heritage as a timeline of photographs joining the past with the present,” says Bhatia.

With interest in documenting the contemporary essence of modern cities and the traditional heritage of towns and villages of India, Chandigarh remains his muse. His first photography exhibition was titled ‘The Hidden Beauty of the City Beautiful’, held in 2013. In his next two exhibitions, ‘Straight Lines, Open Spaces’ and ‘Le Corbusier in India | The Play of Light’, the photographer presented different facets to the city and the work of its creator. In his latest, ‘Remembrance of Time Past’, he presents 25 photographs; six of which are in black and white.

“One can begin feeling jaded by viewing the same spectacle over and over again. Fortunately, Chandigarh has an abundance of architecture and nature offering endless possibilities for photography,” remarks Bhatia.

Photographing the pure geometrical harmony of Le Corbusier’s design, he admits, will always be a challenge. “After five years of exploration I have retained my initial enthusiasm and every journey to the Capitol Complex holds the promise of discovering something new,” he says.

Among the familiar sights in the current set of photographs (like the Open Hand and Gandhi Bhawan) is that of the grand old Peepal tree of Sukhna Lake. “When I migrated to Chandigarh in 1979, I spent many years under its shade reading books borrowed from the Central State Library. I have tried to photograph it in the past but I failed to capture its majesty and beauty. For the present exhibition I feel happy to include two photographs of the tree, which evokes many remembrances of the past,” says Bhatia.

So drop by at the exhibition and see if any of the photographs evoke a memory out of you too.

What: ‘‘Remembrance of Time Past’ photography exhibition

Where: Alliance Francaise, Sector 36, Chandigarh

When: May 4 to May 15

Time: Monday to Saturday; 9 am to 1 pm and 2.30 pm to 7 pm

Entry: Free

Iconic Tagore Gets A Mini Theatre

Bowing to popular demand, UT Chandigarh Administration has finally commissioned a 100-seater Mini Theatre in the iconic Tagore Theatre Complex in Sector 18.

Bashir Badr’s soulful ghazal “Agar talaash karon, koi mil hi jayegi, magar tumhari tarah kaun mujhe chahega” and some highly popular ones like “Ranjish hi sahi, dil hi dookhane ke liye aa” and “Baat niklegi to door talak jayegi” made memorable by Ghazal King Jagjit Singh set the tone for the inauguration of the much awaited mini theatre in Chandigarh’s iconic Tagore Theatre Complex in Sector 18, on Wednesday.

 

Photo By: Vikram Joy

 

Photo By: Vikram Joy

 

Punjab Governor and UT Chandigarh Administrator Mr V.P. Singh Badnore, who was the chief guest, and a select gathering of the city’s art lovers savoured every moment of their brief stay in the theatre as celebrated ghazal gayak Vinod Sehgal in his mesmerising voice rendered one ghazal after the other, some on his own choice and some on popular demand.

 

Photo By: Vikram Joy

 

Provision for a mini theatre had been made in the original architectural plans for the Tagore Theatre, which came up in 1962 under a Government of India sponsored scheme during the Guru Rabindranath Tagore Centenary Celebrations. But it took more than five decades to materialise. There was a huge demand for a smaller facility since the main auditorium with a seating capacity of over 800 was too large for organisers of cultural events expecting limited audience.

 


 

So now we have a 100-seater fully air-conditioned auditorium, with unique retractable seating blocks, which can be converted into an empty hall by retracting the stands fitted with wheels. It also has two rehearsal rooms and facility for make-up, etc. The lighting and sound systems are the latest available and there are more than half a dozen entry and exit points.

The auditorium is likely to be thrown open for bookings within a couple of days as soon as the booking rates are finalised.

 


 

VIP culture persists

    rn

  •  Is it necessary for a Governor to use his official high back chair with the emblem at social functions as well, especially at a time when governments both at the Centre and states are keen to project a ‘No VIP culture’. On Wednesday, officials apparently specially carried the Governor’s chair to the function so that he could sit at a higher pedestal and stand out among the audience. Though, they may be following a protocol, but isn’t it high time the Governor himself take a lead in shunning such protocol.
  • rn

  • Why do celebrated artists have to lower their stature by going out of their way to please the high and the mighty with sweet talk to the effect “mera saubhagya ki apke deedar huae.”
  • rn

  • Now for the rude part. As soon as the function was over, guests and members of the audience were invited to tea, but the doors to room where it was being served were slammed on them as soon as the VVIP and VIP invitees were in.
  • rn

No Worries Croons Singer Inder Chahal

The Mohali-based singer is out with his new single in his signature romantic style

When it comes to the current chart toppers in Punjabi music, it’s no surprise that peppy, upbeat numbers tend to rule. But there’s also place for slow, romantic numbers and that’s the space singer Inder Chahal is most familiar with.

Photo By: Sumit Kumar

The young Mohali-based singer is among the few singers who hasn’t given in to “industry pressure” so far to sing what “sells” and has carved out a niche for himself. With previous hits like ‘Suit Gulabi’ and ‘Teri Lod Nahi’ to his credit, Chahal is out with his new track ‘Fikar Na Kari’ that officially released today. “I like this genre and this song is in my signature style which I call ‘romantic urban’. For me lyrics are very important,” says the singer.

‘Fikar Na Kari’ has been penned by Chandra Sarai and set to music by Ranjha Yaar. The video features actor Sara Gurpal and was shot near Kasol in Himachal Pradesh. “These days there are many tracks that sound like each other. For me it’s important to sing meaningful lyrics and I have chosen well even with previous tracks,” says the singer who also happens to be studying law at the Rayat and Bahra Group of Institutes. “It is not easy managing studies and music but I have been lucky to do so till now,” quips the singer who adds how it helps to release just single tracks. “Nowadays, music platforms are so many and easily accessible to all that single tracks make all the sense,” says Chahal who finished his schooling in Sangrur before moving to Mohali.

Most would be unaware of the fact that the singer was a roller hockey player and has represented Chandigarh at the National Games many times in the past. And apart from his singing talent, he’s also recognised for his unique hairstyle! “In fact a lot of people recognise me from my hairdo. It all happened by chance when a stylist used hair wax many years ago and I loved the look and decided to keep it,” says Chahal. Well, it has gone on to become his noticeable feature after his singing.

Having performed in Delhi umpteen times, Chahal is keen to do live shows in Punjab. “But somehow party numbers do well here and I am already working on a fast number but it will be in my style,” sums up Chahal. We look forward to hearing that.

Here is the video of ‘Fikar Na Kari’

Brush with Art for a Cause

Art in the Cafe organised by The Coloring Box, a new initiative to bring joy to the lives of underprivileged children through art, got the city's swish set to pick up brushes and paint under the open skies at Casa Bella Vista

Summer evenings in the city can be balmy and boring but not if you happened to be at Casa Bella Vista, the popular Mediterranean cafe in Sector 10 on Tuesday evening. The weather was magnanimous, a live guitarist was in action to set the mood and the courtyard of the popular eatery was dotted with easels, paints and brushes and resembled an artist’s studio ready for a workshop.

Photo By: Sumit Kumar

But this wasn’t just another art workshop. It was a chance for art enthusiasts and even those shy of creating their own artworks to pick up the brush and paint (oil on canvas) at free will, but not without reason. The one of its kind ‘Art in the Cafe’ event was organised as a fundraiser for ‘The Coloring Box’.

So what is The Coloring Box?

Photo By: Sumit Kumar

A unique initiative, The Coloring Box promises to bring joy to the lives of underprivileged children through art. Founded by city-based Neepa Sharma, Shail Sachdev and Martha Chesa and supported by Mohita Baijal (pictured here), the non-profit enterprise will not only promote artistic talent of underprivileged children but also use art as therapy.

“It focuses on recognizing, encouraging and mentoring such children by providing them dedicated time to use art as a means of expressing themselves and alleviating their current state. When there is no means of escaping their reality, art is a tool that can prove to be the one thing that can change their perspective, and, perhaps, channelize their energy on to something creative on paper,” explained Neepa Sharma, a well-known art consultant and curator in the city.

Photo By: Sumit Kumar

The Coloring Box, informs co-founder and art connoisseur, Shail Sachdev, will provide such children an opportunity to participate and compete in state and national level art competitions, with professional artists giving tips and ideas and helping them to put their thoughts on paper. The initiative also plans to provide scholarships to deserving budding artists from the underprivileged background.

For starters, The Coloring Box will mentor 50 children at different locations for one hour every month. “We will provide the supplies, handhold them in the process of creating and making an artwork by guiding them and helping them put their thoughts on paper. We want to be able to identify children who have the potential to develop their artistic side but have no means to do so. We want to go to villages, orphanages, anganwadis and spread some cheer among the children there. We would also like to get into motion ‘Art on Wheels’, which will visit rural areas, do some art related workshops and spread some cheer there too,” informed Sharma.

To start with, The Coloring Box has partnered with Samarpan Foundation which runs a daily kitchen for slum children in Panchkula.

The Art in the Cafe event

Looking to involve the community, co-founder Martha decided to open her restaurant for the event and invited the city’s swish set to paint under the open skies and also relish a meal. “The Coloring Box has been set up to raise funds and support, which will be used towards providing opportunity to the underprivileged children from rural and backward areas. We strongly believe that art of expression should not be limited to the privileged few and that resources should be used to provide equal opportunity to all children to express freely and to take pride in their artistic achievements,” said Martha.

The fundraiser on Tuesday helped establish a fund to stock up on colouring sets, sketch books, drawing sheets, pencils, erasers, crayons that would be required for the implementation of the idea. The Coloring Box team also sought volunteers who would dedicate two hours in a month for the initiative. The event was a success with many of the city’s swish set agreeing to volunteer with their time.

The artworks created on the day were impressive and participants also got to take them home, along with certificates. Among those who attended the event included jewellery designer and entrepreneur Simran Gosal Bhullar, restaurateur Karan Deep Singh Suri, interior designer and art connoisseur Annu Mann Bains, architect and interior designer Bandna Singh, Raya’s Sahiba Brar, cookery expert Cookie Marwaha, Anu Vala, Renee Singh, Sharmita Bhinder, Pinky Kumar, Monica Singh, Sonya Sandhu, Ravee Pandher, Anu Kapoor, Archana Gupta, to list a few.

Here are some snapshots from the evening.

Photo By: Sumit Kumar

Photo By: Sumit Kumar

Photo By: Sumit Kumar

Photo By: Sumit Kumar

Photo By: Sumit Kumar

Photo By: Sumit Kumar

Photo By: Sumit Kumar

Photo By: Sumit Kumar

Photo By: Sumit Kumar

Photo By: Sumit Kumar

Photo By: Sumit Kumar

Photo By: Sumit Kumar

Photo By: Sumit Kumar

Introducing Mr and Mrs Jinnah to the World

Veteran journalist Sheela Reddy's well-researched book 'Mr and Mrs Jinnah: The marriage that shook India' presents a lesser known side to the founder of Pakistan, his love marriage to Ruttie Petit, a Parsi woman 24 years younger than him and the tragic end it met. The author shares light on Jinnah's personal life and the repercussions it had on Indian politics of the time and vice versa. Here's what makes the book a sumptuous read

Mention the name Mohammad Ali Jinnah to anyone today and chances are you will get to hear much hated aspects about his personality than positive. Once the tallest Muslim leader (not just physically) of the Indian national movement, history only remembers him as a ‘cold, calculative, mean’ man, the founder of Pakistan known for – as Manpreet Badal, Punjab’s finance minister put it in his opening remarks on Monday evening – “venomous two-nation theory”.

Sheela Reddy
Photo By: Vikram Joy

“It wasn’t India that was partitioned. It was Punjab that was partitioned and both sides bore the brunt. Every family here, even today, has a painful tale to tell. I don’t think Jinnah would have wanted it this way. And having read the book, one wonders if Jinnah had a happy marriage, would things have ended differently?” Badal addressed the audience.  

According to veteran journalist Sheela Reddy, who formally launched her book ‘Mr and Mrs Jinnah: The marriage that shook India’ in Chandigarh on Monday, at an event organised by Punjab Arts Council, “History has been unkind to Jinnah. He was all that we know of him and more. But there was a personal side to him and I feel things would have worked out very differently if his marriage to Ruttie hadn’t met a tragic end.” Ruttie Petit died in 1929 at the age of 29.

Manpreet Badal launching the book
Photo By: Vikram Joy

The book launch that had Badal as chief guest also saw the author in conversation the very eloquent, former bureaucrat Robin Gupta who read out from the book and asked the right questions. The first among them being whether Reddy had gone on to become a fan of Mr Jinnah? “Most of us hate Jinnah. History is usually the victor’s version of events. Jinnah has been presented to us a cardboard villain figure in our textbooks. Being a journalist, I can’t see things in all-black or all-white. In my research I found out that he tried hard to be a nationalist. He was not a hypocrite but he was an impersonal man. His worst features came to the front after Ruttie’s death,” explained the author.

The author in conversation with Robin Gupta
Photo By: Vikram Joy

Interestingly, it was some years ago that the author chanced upon a treasure trove of letters and correspondence between Ruttie Petit and Padmaja Naidu painstakingly preserved (with much credit to the latter) at the Nehru Memorial Museum and Library in New Delhi. “I was curious when I read the word Jinnah,” reminisces Reddy who realised she was the only second person to have called for the 100 pages from the archives. “As a journalist the content thrilled me. I think I found them as I didn’t approach it as a historian. Having said that, it wasn’t easy to sift through the files as much of the content didn’t make sense to me. It took me four years of research to put together the book,” said Reddy.

The book cover

The book is not just a compilation of the correspondence but sees the author present this marriage in the backdrop of what was happening in the country at that time. It also presents the Parsis of India, their lives and most of all profiles Ruttie Petit which history seems to have forgotten. “She was just 16 when she and Jinnah, older to her by 24 years, fell in love. The age difference was never the problem in the marriage. Her marriage at 18 to Jinnah, a Muslim saw the Parsi community excommunicate her. She was not only beautiful but was a rich heiress who had given up everything for her man,” remarked Reddy.

In their relationship, as Reddy points out, Ruttie was mature and treated Jinnah with love and affection. “I think what led to their troubled marriage was the timing. Jinnah was in an important phase of his political career and Ruttie was isolated and lonely,” summed up Reddy.

The book by Penguin India is priced at Rs 699 and e-book is also available.

Let No One Face It Alone

Amrit Cancer Foundation and World Cancer Care Charitable Society, under their early cancer detection and awareness campaign, organised a daylong camp at IMA complex in Sector 35 Chandigarh on Monday. A multi-vehicle state of the art mobile hospital from the United Kingdom was deployed to carry out more than 400 tests free of charge.

Emotions welled up as Punjab Governor and UT Chandigarh Administrator Mr. V. P. Singh Badnore addressed a gathering to mark the inauguration of a charitable early detection and awareness camp for cancer on Monday. Fond memories of his mentor and BJP stalwart Bhairon Singh Shekhawat, former Vice-President of India and three time Chief Minister of Rajasthan, came streaming in. He had died of cancer. “I served as MLA for four terms under his blessings. He was very fond of chewing tobacco. And though he lived for 80 years, the substance habit finally snuffed the life out of him,” Mr Badnore added.

Photo By: Life in Chandigarh

The governor shared these thoughts to underscore the importance of generating awareness among the people about the ill effects of substance misuse, leading up to cancer. “Habits are very difficult to leave, but with advancements in science there are many alternatives and remedies available to habitual substance users and we must make concerted efforts to convince them to leave such bad habits before it is too late,” he averred.

According to Mr. H. S. Sabharwal, managing trustee of the Amrit Cancer Foundation, 425 people, men and women in equal numbers, availed of the various tests being offered on the occasion, including Digital Mammograms for Breast Cancer, Pap Smear for Cervix Cancer, Oral Cancer detection test and PSA for
Prostate cancer.

Photo By: Life in Chandigarh

This is the 70th mobile camp organised since 2011. We held one such camp in Panchkula on March 22. All the other camps have been held in cities, towns and villages in Punjab since the office of the World Cancer Care Charitable Society headed by UK-based Dr Kulwant Singh Dhaliwal is based out of Jalandhar. “We will return to the city in September for an extended camp of six days,” he added.

For more information :

http://amritcancer.org

http://worldcancercare.co.in